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・ Allegiant Air
・ Allegiant Air destinations
・ Allegiant Athletic Agency
・ Allegion
・ Allegis Group
・ Allegorical interpretation of the Bible
・ Allegorical interpretations of Genesis
・ Allegorical interpretations of Plato
・ Allegorical Misunderstanding
・ Allegorical representations of Argentina
・ Allegorical sculpture
・ Allegories (Bellini)
・ Allegoriya
・ Allegory
・ Allegory (category theory)
Allegory (Filippino Lippi)
・ Allegory and Self
・ Allegory in Renaissance literature
・ Allegory in the Middle Ages
・ Allegory of Divine Providence and Barberini Power (Cortona)
・ Allegory of Fortune
・ Allegory of Gluttony and Lust
・ Allegory of Hispania
・ Allegory of Industry
・ Allegory of Isabella d'Este's Coronation
・ Allegory of Prudence
・ Allegory of the Battle of Lepanto
・ Allegory of the Cave
・ Allegory of the Element Earth
・ Allegory of the long spoons


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Allegory (Filippino Lippi) : ウィキペディア英語版
Allegory (Filippino Lippi)

''Allegory'' is a painting by the Italian Renaissance master Filippino Lippi, executed around 1498. It is now housed in the Uffizi Gallery of Florence.
The work had been variously assigned, from Leonardo da Vinci to an unknown 15th century painter.
==Description==
The scene is set on a hill, with Florence in the background. It features a man, whose legs are tied by a serpent, who closes to an aged one, dressing in red and sitting near a tree. The latter is holding several lightnings. Next to the walking man is a small stoat, a symbol of purity.
The same character, with the serpent getting out from his jacket and looking at him, has fallen in the foreground. An inscription gets out from his mouth, saying ''NULLA DETERIOR PESTIS Q. FAMILIARIS INIMICUS'' ("Nothing is more dangerous than a family's enemy") and going towards the old man.
The subject has been variously interpreted: as the story of Laocoön, an allegory of two enemy brothers, or, more likely, of the civil wars that followed the fall of Girolamo Savonarola in Florence. The last version is supported by the fact that, in Renaissance art, the presence of a well defined city (Florence in this case) had always a meaning. The man dressing in red would be God or Jupiter; in the latter case, the man nearing him would be nearing paganism, the serpent being a symbol of the Devil making him stumble later.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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